For nearly a decade I worked within the Edinburgh Festival Fringe Society, supporting -an incredible range of participants, from novice companies to international artists of reputation. In that time, I chaired approximately 80 panel discussions about how to take part in the Fringe, and without exception three core ‘rules’ were raised in every discussion.
For nearly a decade I worked within the Edinburgh Festival Fringe Society, supporting -an incredible range of participants, from novice companies to international artists of reputation. In that time, I chaired approximately 80 panel discussions about how to take part in the Fringe, and without exception three core ‘rules’ were raised in every discussion.
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